A versatile musician, she began her musical education at the Centro Integrado de Música Padre Antonio Soler, later completing her higher studies in composition and orchestral conducting at the Royal Conservatory of Madrid, where she studied with Jesús Rueda, Bruno Dozza, Fernando Villanueva, Mariano Alises, and Juan Luis Martínez Navarro.
During that time, she got accepted for the Crescendo program at Teatro Real (2022) where she worked as a répétiteur for the Royal Theatre’s A.I.D.A production.
An active performer, has performed in major venues across Spain and Europe, including the National Auditorium of Spain, Teatro Real, Campoamor Theatre, and Muziekgebouw Eindhoven. Her chamber duo with soprano Annya Pinto has received multiple awards in national and international competitions such as first prize at the Francisco Torrecillas International Lied and Concert Song Competition (2021), second prize ex aequo at the Pedro Bote Competition (2021), the award for Best Interpretation of García Abril’s works at the 10th edition of the García Abril International Chamber Music Competition, and first prize at the AMAO International Singing Competition (2023)
In 2023 she moved to Maastricht to learn with Jeroen Riemsdijk and Abigail Richards at Conservatorium Maastricht, and in late 2025 she started studying with Sebastián Colombo. She has been actively involved in masterclasses and festivals such as the International Lied Festival Zeist (2025), and the International Summer Chamber Music Festival in Stockholm (2025), having to learn from highly valuable artists such as Hans Eijsackers, Christoph Prégardien, Susan Manoff and Péter Nagy, among others.
Thanks to the European Opera Academy she holds a traineeship the Antwerpen Conservatorium under Sabrina Avantario’s tutelage. She is also one of the laureates of the 25/26 season of Thomas Hampson’s Heidelberg Frühling Liedakademie.
As a singer, she has sung with ensembles including the Timpanum Ensemble (medieval music), Zenobia Scholars, and has performed in staged productions such as Il Buontempone (Scolastica) and Dido and Aeneas (Second Woman), and took part in the Alcalá de Henares Opera Studio with countertenor Xavier Sabata. She received training from singers Bridget Madeleine Clark, Fabiana González, Elisa de Toffol, Mya Besselink, among others. As part of the European Opera Academy program she participated in modules at the University of the Arts in Stockholm (SKH), where she worked with Barbro Marklund, Martin Hellström, and Maria Lindeman; and Antwerpen Conservatorium with Sabrina Avantario.