Pianist and singer Eve Kerloch stands out as a well-rounded and accomplished musician, bringing together musical insight, versatility, and a strong collaborative spirit. She is currently a stipendiate of the 2025–2026 season of the Heidelberg Frühling Liedakademie, where she studies under the tutelage of Thomas Hampson, among others.
During the 2025–2026 season, she has participated in masterclasses and festivals including the International Lied Festival Zeist and the International Summer Chamber Music Festival in Stockholm, receiving guidance from distinguished artists such as Hans Eijsackers, Christoph Prégardien, Susan Manoff, and Péter Nagy, among others. She completed her piano studies at the Conservatorium Maastricht in 2023 with Jeroen Riemsdijk, and continues her training in Sebastián Colombo’s studio.
An active soloist and chamber musician, Eve Kerloch has performed in major venues across Spain and Europe, including the National Auditorium of Spain, Teatro Monumental, Teatro Real, Campoamor Theatre, Muziekgebouw Eindhoven or Theater aan Vrijthof. Her chamber duo with soprano Annya Pinto has received multiple awards at national and international competitions, including First Prize at the Francisco Torrecillas International Lied and Concert Song Competition(2021), Second Prize ex aequo at the Pedro Bote Competition (2021), the Award for Best Interpretation of Works by Antón García Abril at the 10th García Abril International Chamber Music Competition, and First Prize at the AMAO International Singing Competition (2023).
She began her musical education at the Centro Integrado de Música Padre Antonio Soler, and later completed higher studies in Composition and Orchestral Conducting at the Royal Conservatory of Madrid, studying with Jesús Rueda, Bruno Dozza, Fernando Villanueva, Mariano Alises, and Juan Luis Martínez Navarro.
During this period, she was selected for the Crescendo Programme at Teatro Real(2022), where she worked as a répétiteur for the Royal Theatre’s production of A.I.D.A. This experience proved invaluable in integrating her backgrounds as a conductor and pianist.
As a singer, in 2025 she was the soloist of the Oudejaarsconcert Meijel, singing with the Meijel Philarmonie, and programed in Domani Venlo along with her group Triolé.
She has performed with ensembles including the Timpanum Ensemble (medieval music), Zenobia Scholars, and has performed in staged productions such as Il Buontempone (Scolastica) and Dido and Aeneas (Second Woman), and took part in the Alcalá de Henares Opera Studio with countertenor Xavier Sabata. She received training from singers Bridget Madeleine Clark, Fabiana González, Elisa de Toffol, Mya Besselink, among others. As part of the European Opera Academy program she participated in modules at the University of the Arts in Stockholm (SKH), where she worked with Barbro Marklund, Martin Hellström, and Maria Lindeman; and Antwerpen Conservatorium with Sabrina Avantario.